For five weeks in the autumn of 2006, the Serpentine Gallery took up residence in Battersea Power Station – opened for the first time to the public – with an arresting presentation of current Chinese culture. The exhibition was conceptualized as a platform to introduce the Western audience to the burgeoning contemporary art scene of China. At a time when China’s global influence was ascending, this exhibition offered a rare glimpse into the diverse and complex narratives shaping Chinese society and its artistic expressions.
This groundbreaking exhibition not only showcased the dynamism of Chinese contemporary art but also marked a significant moment in cultural exchange and artistic dialogue.
The choice of venue was as symbolic as it was practical. Housed in the iconic Battersea Power Station, the exhibition resonated with the theme of power – both in the literal sense, given the venue’s history, and metaphorically, representing China’s emerging power in the global art scene. The industrial backdrop of Battersea provided a stark, compelling contrast to the vibrant artworks, creating a dialogue between the old and the new, the East and the West.
The exhibition featured a wide array of artworks from some of China’s most innovative artists, including Ai Weiwei, known for his politically charged installations, and Cao Fei, a multimedia artist who explores the rapid social changes in China. The artworks ranged from large-scale installations and video art to photography and paintings, each telling a unique story of modern China.
One of the most remarkable aspects of ‘China Power Station’ was its engagement with the audience. The exhibition was not just a display of art; it was an immersive experience. Visitors were invited to explore the interplay of art and space, contemplate the narratives and themes presented, and engage in a cultural dialogue that transcended geographical boundaries.
The ‘China Power Station’ exhibition was more than just an art show; it was a cultural phenomenon. It played a pivotal role in bringing Chinese contemporary art to the forefront of the global art scene. The exhibition’s success led to a broader recognition and appreciation of Chinese artists, many of whom have since gained international acclaim.
The Serpentine Gallery’s ‘China Power Station’ was a visionary project that bridged cultures and opened dialogues. It was not only a celebration of Chinese contemporary art but also a testament to the power of art in connecting worlds and expanding horizons. As such, it remains a significant milestone in the history of contemporary art exhibitions.
Fused was honoured to produce a limited edition of the magazine to act as the exhibition catalogue. The publication was sold at the event at a minimal price of £1 and sold out within the first weekend so we had to hurriedly re-print it.
